Spiraling in and out

A less commonly considered spiral

Most of the time when we think of our spiral energy as it relates to tango, we consider the torsion that happens in our torso, as our hips and ribs twist in opposite directions. However, there are many other “spirals” that happen in our bodies, and we would like to draw attention to the spiral that happens in our legs as we take a step.  Understanding how the leg articulates at the hip joint during our walk can also transform our dance.

Finding the spiral in our legs

Standing solidly on your left foot, extend your right leg into a back reach. Following the normal trajectory of your forward walk, bring your right leg back to your center, closing your hips and allowing your leg to rotate inward as it comes through your center line. You will notice that your knees come together at this point. As your leg extends in front of you, allow it to rotate outward. Take your right leg back again, reversing the rotation in your leg, from outward, to an inward rotation as you pass center, to a (slightly) outward rotation as you reach back. While your foot will be moving in a straight line, you may notice that your knee tracing an arc that sweeps past your other knee. Repeat this motion a few times and then switch legs.

You may want to exaggerate this rotation of your legs to get the feel of this spiral, and also to understand how it can influence your circular movement, and then let it happen naturally without over emphasizing it. As you do so, make sure you are still drawing a straight line forward and back, without actually taking your leg out to the side.

Now, incorporate this awareness into your walk as you go about your day.  When you have the time to slow down, walk deliberately, trying to make your leg spiral smooth and expressive.

Finding circles and spirals in our walk

Becoming aware of the circles and spirals that happen in our body as we walk.

This challenge builds on our last challenge, Sinking into our Standing leg.  We will use that same exercise, but apply it to every step we take as we walk.  Walking down the street, the hallway, the grocery store, give this a try, but try not to think about it too much. Do this once at home, with focus, then do it whenever you walk somewhere, even if it is just for a few steps. Our goal is to become aware of the circles and spirals that our body creates internally as we walk. Ultimately we want to relax into a healthy balanced walk and remain aware of how our body is moving and how it feels. Birth of Venus.

We have been using Michelangelo’s David for this example in our classes here in Asheville for over a year, it’s a nice change to use Botticelli’s Venus, as Michelle and Murat Erdemsel do in their alignment classes.  Where David is very stationary, Venus looks like she is almost moving. Notice how Venus looks like she is about to take a step. She is settled into the ground from her shoulder all the way down through her left leg. Her hips are closed as the knee of her free leg moves closely past her center.

Start by reviewing the previous challenge, Sinking into our Standing leg.  Then try walking while sinking into each new weight-bearing leg.  Sink, press, or settle into your new standing leg from the top down, from your shoulder, as you transition onto each new foot.  Try using different visualizations and see what works best for you.  Sink, press, settle, or even compress the weight bearing side of your body. Don’t try too hard. You might at first exaggerate it in order to understand it, but then ease off and relax into it. Pay attention to the different ways each visualization makes your body feel. One of them may work better for you than the others.

Pay attention to how stable you feel, and what the ground feels like as you press into it with your whole body. The weight bearing side of your body should be slightly shorter, but not scrunched, while the relaxed side of your body will be elongated. Now begin to walk, settling into the ground on one side, and relaxing on the other. Let your shoulder drop into your weight-bearing leg with each step. Relax, let your body spiral naturally with each step.

Bring your awareness to your spine.  It is twisting, moving from one S curve to another. You may also notice at this point that your shoulders are drawing circles as they sink into each step, then rise as they relax, while your contrabody spiral is twisting your body with every step. If you are really compressing your whole body into each step, this walk will feel and look like a confident swagger.

This is about bringing awareness to your unconscious movement.

Bring your attention down to your hips as you walk. If you are truly relaxing your free hip and leg, you will find that your hips are also drawing circles as you walk.  Try bringing your awareness to just one hip for a few steps, and then switch to the other.  It may be difficult to follow all the way around.  Some parts of the circle are much easier to find. Don’t worry if it is not obvious, this is about bringing awareness to your unconscious movement. It takes practice! Once you are aware of your movements, then you can examine them, change them and use them to your advantage.

Get the feel of this entire movement as an idea, and as a feeling.

As you walk, change your awareness from one hip to the other, then to each shoulder in turn. Then let it all go and be aware of all of it at once, the circles and spirals, the ground, your relaxed leg, all moving together. Get the feel of this entire movement as an idea, and as a feeling.  Later on, or the next day, try getting back into this walk by thinking about that idea and feeling. This gives you one thing to think of instead a dozen.  Focus your awareness to each part of the movement, and then let it go and experience it as a whole again. Relax, walk, enjoy.

Play with the amount of compression and settling you give with each step, notice the differences in how it feels.  Relax into it and let become natural and light, so you can feel it, and anyone watching would only see that you have a beautiful, relaxed walk.  Notice how small all the circles become.  Your shoulders and hips are still circling, and your body is still spiraling but much smaller.  Even here in this subtle movement, if you bring your awareness to it, you will find that you feel much more stable and relaxed in your walking movement.

Additional exercises.

  • Bring your attention to the circles in one of your shoulders, slow down almost to a stop.
    1.  Reverse direction, then again,  change the location of the reversal each time.  Change shoulders and do it all again.
    2. As your shoulder goes around, become aware of how all of the other movement is connected to it, almost like a wind-up toy.
  • Bring your attention to your spine.  Notice how the tilt in your shoulders and also in your hips are connected to it.
  • Do all of this while walking backward.

Practicing this may change your everyday walk and posture for the better.

At the very least, it will improve your ability to focus on and be aware of your body’s movement, which will be a great asset when working on your dance or any other movement oriented activity.  In tango, the ability to relax into this movement will improve your stability and communication with your partner. You are communicating with your partner with your entire body, and this movement, as a whole, is what communicates your intentions. Doing this movement clearly, subtly, fast or slow, is one of the keys to dancing well.

Sinking into our standing leg

Aligning our whole body, sinking into the ground through our standing leg

For those who come to TangoBreath, you have heard us often recall the image of Michelangelo’s David.  We talk about sinking into the standing leg through the whole side body and dropping, or relaxing, the free hip.  Much to our delight, when we were in Tuscon, Murat and Michelle Erdemsel showed a picture of David in one of their classes on alignments! They also shared a picture of Botticelli’s The Birth of Venus, which provides us a connection to the feminine form. DavidBirth of Venus.

You can observe in both Venus and David that their free hip is relaxed and dropped, and their corresponding shoulders are lifted slightly. On the other side, the side of the weight bearing, standing leg, the shoulder is dropped toward their weight bearing, standing hips.

 

 

With these images in mind, the challenge is to engage the standing hip (see Creating Stability in our Pelvis, and Finding Release in the Pelvis), while aligning your upper body in such a way that you can “settle” into the standing leg. Standing on your right leg, to start, find your balance and engagement in the right pelvis, and then allow your right shoulder to drop.  Imagine a column connecting your entire right side, compressing (passively) into the ground. Relax here and then change sides.

Allow your body to adjust to these alignments, without collapsing or creating too much tension.

Pay attention: Notice if your body collapses. Your hip might pop out or you might collapse in your lower back. If this happens, try easily re-engaging your pelvic floor and core, without over tightening.  If your core or your upper back, between your shoulder blades, is not engaged in a supportive way, you might notice that your “standing” shoulder drops, but your other shoulder does not correspond with a balancing movement (it should rise some). Try to find a balance of engagement through your core (your deep muscles of the pelvis, back, diaphragm, and abdominals) and relaxation.

Notice, also, if you are so tense that you have to consciously make, or even force, the alignment. If this is the case, you might feel one part of your body adjust, but without effect on the rest of your body. Allow your body to soften some.  You might visualize a netting around your body that supports you and knits all of your muscles and bones and together, reducing the need for you to hold everything in or together.

Making natural alignment a habit

As you stand throughout the day, make slow changes of weight to find these natural alignments. Can you balance here if you pick up your free foot, maybe moving it forward, to the side, and back? Finding these alignments as you go through your day will help you create healthy habits, and you might find that they enter seamlessly into your dance, providing you more stability, balance, and responsiveness.

Finding release in the pelvis

As a continuation of last week’s challenge, Finding stability in our pelvis, in which we perceived subtle engagement in the area between the sacrum and hip joint, we are going to concentrate on releasing this same area. Balancing the internal dynamic between engagement and release is important to achieve our greatest flexibility, strength, and resiliency in our joints.

An exercise to release our pelvic joints.

You might be interested in repeating the exercise that was introduced last week, to bring your attention and awareness to the area between your sacrum and your femoral trochanter and hip joint.

Standing on both legs, relax your pelvic area entirely, though not so much you fall down! Imagine water or air flowing through your hip joints. Now, transfer your weight entirely to one leg, and allow the hip to pop out all the way to that side. Allow your free hip to sink toward the ground. Bending your free knee (since your leg will be longer than the space between your hip and the floor), allow your free hip to suspend there.  The key is to not force it down, but to let it fall with its own weight.  Feel its heaviness.

Now, using the same engagement that we created between our sacrum and hip socket in the previous week’s exercise, bring your standing hip back into alignment, imagining it drawing and sliding back into place. Let your free hip remain relaxed and heavy. You might bring your attention to the placement of weight on your standing foot. What happens as you bring your hip back into alignment?

Creating fluid movement from our sacrum, through our free hip, into our leg.

Making sure that your standing leg is softly engaged (try not to lock your knees) and leaving your free hip and leg relaxed and suspended, start to create movement back and forth with your sacrum and let your leg follow. Can you feel that the movement in your hip and leg originates with sacral movement?

If you perceive that you are still moving your legs with your leg and hip muscles, think about your hip and legs as water pouring out of a hole in the bottom of a bucket that is attached to the front of your sacrum. As the bucket tilts slightly forward, the stream of water flows, and might splash a bit, to the back; as the bucket tilts back, the stream of water flows to the front. Alternately, try imagining your legs as slinkies that are attached at your sacrum.

You can also do this exercise standing on a stair or a yoga block, letting your leg suspend over the edge, truly allowing your free leg and hip to relax with gravity and respond to the movement in your pelvis.

The challenge: bringing awareness of our dynamic pelvis to our habitual movements.

After you find the balance of engaging and releasing the area between your hip joint and sacrum, try drawing attention to how this can influence the way you walk and stand. Make changes of weight, and even changes of direction quickly, tuning into your pelvis’s ability to respond by engaging and relaxing when and where it needs to.

The important thing to keep in mind is that we never want to force engagement, or even relaxation, meaning we do not need to over-contract or over-extend our muscles. This happens frequently when we think too hard about something, compartmentalizing muscles and forgetting the whole system, or when we get nervous.

When dancing, when we feel off balance, many times we contract our muscles out of fear, trying to get our balance back, but it ends up having an opposite effect, making our bodies stiff and unresilient. By training our bodies to respond intuitively to motion and learning to relax into it, we can dynamically respond and resolve the movement in our bodies with less tension and greater connectivity to our body system, the ground, and our partner.

Imagery and the internal flow of movement in Argentine tango.

The flow of movement between partners can appear magical. Every week in TangoLab, we start class with some exercise to create awareness of our partners through the embrace. Our goal is to encourage dancers to create and sense movement in … Continue reading

Creating stability in our pelvis

We love the pelvis!

We continue this week’s challenge with our focus on the sacrum and pelvis. For background, consider checking out the challenge from last week and the week prior.

This week, we will explore how we can use deep pelvic muscles to move our sacrum, specifically connecting our sacrum and tailbone to our hip joints.

An exercise to develop awareness of the deep pelvis.

First, we will try an exercise to perceive a subtle action within our pelvis (Thanks, again, to Eric Franklin). With your right hand, find your right femoral trochanter (this is the top of your thigh bone).  You will place your fingers on the big nub of bone that is beneath your hip bones.  Place your left fingers on your sacrum.

Now, with your eyes closed, draw a mental line between your two hands, connecting your hip socket and your sacrum.  Continuing with eyes closed, draw those two points together.  Envision the muscle fibers gliding into each other, and then release them, letting the bundles of muscle fibers glide out.  Repeat the drawing in and letting out four more times.

Release your hands and wiggle around some, how does your hip socket feel now? What is the difference in feeling between your two hips? Stand on your right leg, then your left. How does each side feel? Do you feel a deeper opening in your right hip? Are you perhaps more stable? For the sake of balance, repeat this exercise on your left side, taking some time to perceive how it feels before and after.

This exercise is great to repeat often, and will help you gain both strength and flexibility in your pelvic muscles. Each time you do it, you will also perceive the greater subtleties of your body’s experience. Sometimes I even sneak off to a quiet place at milongas to do this if I feel particularly un-grounded. The result is always an improvement in my balance and groundedness, as well as making me feel more settled emotionally, since the muscles we use here are linked to the parasympathetic nervous system.

Anatomy of the pelvis for the geeks.

It is not necessary to know which muscles you use in such an engagement, aside from the perception that they are deep, rather than superficial (your glute muscle might “activate” toward the end of the contraction, but should not be solely responsible for the engagement).

Piriformis MuscleFor those who are interested, however, the muscles that create this action are the piriformis and the illiococcygeus. The piriformis, which is not technically a muscle of the pelvic floor, but in close proximity, connects the front of the sacrum and the femoral trochanter.

The illiococcygeus muscle is a part of the pelvic floor muscles and extends from the ischium (the lower bone of your pelvis, from which your sits bones extend) to the coccyx.

Pelvic Floor Muscles

 

In this image, the piriformis is in the upper left side of the picture in very light pink. The illiococcygeus is the very bright red muscle.

 

 

Using our pelvic muscles and sacrum every day.

The challenge, after doing this exercise, is to draw your focus to this area while you are walking and begin to incorporate this engagement on each side of your hips as you transfer weight onto one leg.  As you bring your weight onto your right leg, you might be able to perceive, and enhance, this engagement between your sacrum and right hip joint. As you bring your weight off of your right leg, let those muscles relax. Simultaneously, your left side will engage as you bring your weight onto your left foot.

The key is not to forcefully contract this area, but to let it engage to “knit” your sacrum and pelvic floor to your hip joints, stabilizing the hip as you place your weight onto it. I think you might gather why this is important in tango!

Our hope is that, by bringing awareness to our movement and retraining our bodies into healthy patterns of movement, we will all begin to experience beneficial changes in our dance, as well as our lives.

 

A reflection on learning and teaching Argentine tango

Asking ourselves about our roles in learning and teaching Argentine tango. Eric and I have been busy writing articles for this website and are enthusiastic about sharing our thoughts and explorations. We thought that now would be a good time … Continue reading

One thought on “A reflection on learning and teaching Argentine tango

  1. This is such a good website, full of many wise words. I am trying so very hard right now to learn Argentinian Tango but am finding it hard to follow my teachers instructions. I find that I cant learn fast enough so that although I go three times per week I am not learning fast enough.

    I ride horses and recognize very much what you are saying about the power of connections and Hedy’s talk was so very inspirational, I look forward to reading everything you produce, your wisdom is apparent in the clarity of your writing.

    Have you thought about producing some videos?

    You can see me on You Tube, chris davies graduate coach.

    Thank you so much for sharing your knowledge

Aligning our sacrum

Last week, our challenge was to bring awareness to your sacrum and the ways that your sacroiliac joint moves.

Adjusting your sacrum in two easy steps.

This week, we have encouraged our students to make a more specific adjustment to their sacrum.  This is a good exercise to do when you get up from being seated, when you are standing, and before you begin walking.

In a standing position, with your weight distributed evenly on both feet, pull your sits bones back just a little bit (a couple of inches will do).  This will probably cause your weight to shift more toward your heels.  If you look in a mirror, you will notice that your legs will be completely vertical and your hips positioned directly over your heels.  You might feel like you are sticking out your derriere and your lower back feels slightly compressed.

 

Now, place your hand on your sacrum and rotate your sacrum down.  If your hand is flat on the sacrum, with your fingers pointing down, your fingers will shift downward and slightly inward as you make this adjustment.  You will also notice that your lower abdominals will engage to make this movement possible.  Once you find it, it is a very easy adjustment to make.

Notice how you feel when you walk.  Do you stand taller? How does your spine react? How does it affect your balance?

A second part to this challenge will be to do the same adjustment when you are sitting.

Sacrum alignment is important to tango technique.

Your sacrum is the keystone of your hips, and sacral health is imperative to our long term ability to move in a way that is healthy for our bodies! This adjustment in tango will help you find a solid foundation for movement in your core, you will be better able to use your pelvic floor muscles for stabilization, and it will aid you in creating internal oppositional tension (a full body stretch) and connection, which results in responsiveness and fluidity.  Also, in daily life, you might notice relief in your back and neck, and even knees, if you are experiencing some pain.

Happy sacrum adjusting!

Thinking about collection is bad for your tango

“Collection” was eliminated from our tango vocabulary for many reasons. I’ve written about collection in other articles, “Moving with your line of gravity” and “How we think affects the way we move”, so it is no secret that I don’t like … Continue reading

2 thoughts on “Thinking about collection is bad for your tango

  1. While we encourage comments, we have regretfully moderated one comment for being somewhat inflammatory and confusing. This article has been read by a great number of people from all over the world, and it seems to resonate well.
    The content for this article is written from conversations and experience in many communities and with many teachers. It is not a criticism of either.

    Our intent in this article and all of our writing is to provide food for thought. Ultimately we are all simultaneously students and teachers, we are all responsible for own dance, and our own learning. A discerning and thoughtful teacher and student are the best to have.

    In the case of collection, as a teacher, it is difficult to know which student will take a single statement of “Collect, bring your feet together” to heart in such a way that there is a huge sucking noise anytime their feet come apart. On the other hand someone else may hear the same thing 100 times with no effect at all. It is up to the teacher and the student to find what works best for them.

    Our hope is that our articles will inspire thought and insight to help everyone be more thoughtful and discerning students of Argentine tango.

  2. Pingback: Bookmarks for February 17th through February 26th | dekay.org

Perceiving the dynamic sacrum

Our body awareness challenge this week is moving from our head, down our spine, to the place where it originates: the sacrum. It is a bone that is easily forgotten, but is so important to the health of our spine, hips, knees, and our whole body system!

Finding your sacrum and its joints.

The sacrum is a bone that is made up of fused vertebrae. It is located between our two hip bones, or illium. You can find the joint where it meets your hip bones in your lower back by feeling for the two bony nubbins just above your gluts (sometimes there are little dimples here).  It is called the sacroiliac joint. You can then find your sacrum in between and slightly down from these joints. Our coccyx, or tail bone, is further down.

Becoming aware of how the sacrum and pelvis move.

The challenge this week is no more than to bring awareness to this keystone in the body. Our natural center of gravity is right in front of the sacrum. As you walk and move, draw your attention to this area for a moment. Take a moment to draw in a breath and imagine that it is floating in between your hip bones and your spine is balancing on top of it.

When you are at home, place your index and middle fingers of each hand on the nubbins of your sacroiliac joint and shift your weight back and forth, releasing your unweighted hip, letting it suspend toward the ground. Now, walk into the next room. How do they move? Do the same movements, this time placing the tips of your fingers on your sacrum. Walk a bit, and then sit in a chair and stand up again.

The pelvis is not a single, immovable piece of bone.

This is a very difficult challenge!  Just because we didn’t give you something specific to do with your sacrum, doesn’t mean this is not a very important exercise. This challenge is about changing perceptions. Many of us think about the pelvis and the sacrum as one single piece of bone (like the skeleton had in our high school anatomy class!). Instead, start practicing awareness of how the sacrum and the bones of the pelvis are dynamic and flexible.

Next week, we will have a challenge that helps you incorporate this awareness into your movement, and you might be surprised at how it affects your posture, back, and stability!